In Preface, Moylan mentions many aspects of
dystopian literature in the twentieth century, some of which is still prevalent
to dystopian works today. One example would be that the themes of dystopias
tend to be a reflection on the current problems and concerns of society (Moylan
xi). However, there are also many points about dystopian literature that are no
longer considered a major part of these works of literature. As times have
changed, the basic aspects of dystopias have remained constant, but the
specific aspects of these dystopian works have changed dramatically.
There are
many aspects of Moylan’s Preface that
do not fit with twenty-first century dystopias, specifically Divergent, by Veronica Roth. For
example, Moylan says that dystopian works use historical events for the basis
for the problems of society (Moylan xi). Moylan also mentions that “the
dystopian text opens in the midst of a social ‘elsewhere’”(Moylan xiii),
however Divergent takes place in a
futuristic Chicago (Roth 214). Another common theme of twentieth century
dystopias is that there are fewer feminist ideas from the 1980s on, however
many of the protagonists in today’s dystopias are very strong and brave females
(Moylan xv).
If Moylan were to rewrite Preface to include the main aspects of modern dystopias, he would probably include that dystopias now are more about fitting into society and accepting social norms than about the hardships of war or other nationwide problems. For example, Tris points out “I didn’t jump off the roof because I wanted to be like the Dauntless. I jumped off because I already was like them, and I wanted to show myself to them” (Roth 263). Tris based many of her decisions on how other people would view her and whether the way she was acting was socially acceptable in the faction she was in.
If Moylan were to rewrite Preface to include the main aspects of modern dystopias, he would probably include that dystopias now are more about fitting into society and accepting social norms than about the hardships of war or other nationwide problems. For example, Tris points out “I didn’t jump off the roof because I wanted to be like the Dauntless. I jumped off because I already was like them, and I wanted to show myself to them” (Roth 263). Tris based many of her decisions on how other people would view her and whether the way she was acting was socially acceptable in the faction she was in.
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