X: In the film, Mad Max: Fury Road, the scene titled “I
am waiting in Valhalla”, utilizes the visual element of costuming, which shows
the bravery that Immortan Joe and his clan of War Boys seem to possess from the
outside, yet also reveals the fear of their weaknesses that lie within them.
Detail 1: The costumes that
the war boys wear, which includes bloody scars, tattoos, and imprints of skulls
and other symbols illustrate the extreme and violent uniformity in both
appearance and thought that Immortan Joe forces upon them.
Detail 2: Immortan Joe’s “Joker-like” mask makes him
seem by many as a monster-like figure, yet, the fact that Immortan Joe can
never reveal his real face and or physical qualities, proves the overall
horrors that he experiences, despite having the power over an entire regime.
Y: In William’s article, “Ideology
as Dystopia: An Interpretation of Blade
Runner”, he says that the “replicants” created in Blade Runner learned to possess “real” feelings and emotions, which
“pose
an obvious security threat” (Williams 384-385) to those around them. Yet, this
authentic feature that the replicants inherently possess suggests that having
these emotions are truly what it means to be a human.
Detail: Likewise, in the scene in Mad
Max: Fury Road, this authentic feature of possessing “real” feelings is exhibited
through the character of Nux, where he
sacrifices his life not only to prove his inner character, but also in order to
save the woman he had developed a love for. Nux’s actions show that despite
what Immortan Joe had intended on implementing on his war boys, the qualities
that lied hidden inside of him were what allowed for him to finally reach his
dreams.
X/Y Thesis: George Miller’s
film, Mad Max: Fury Road, portrays a
world that is controlled by the powerful Immortan Joe, who creates a clan of
“war boys” who resemble the “replicant-like” characters in Williams’s “Ideology
as Dystopia: An Interpretation of Blade Runner”, where they are both forced to
hide their fears behind their outer appearances, despite the emotions that lie
within them.
Jordyn, we've discussed your claim since you wrote this blog post, but I don't quite see your ideas coming through in the claim you've provided for Essay 2 yet. What about your reading of Max as less sentimental/emotional than Nux at the end?
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